Waterfall Beneath the Stars: Sony a7s + Sigma 24-70
This picture was taken in Luxembourg at the Schießentümpel. It is a very beautiful area, especially for hiking. I decided to do a time-blending for the picture because it was a very stormy night and the trees and plants were completely blurred due to the movement.
Milky Way's Galactic Core at Tenerife: H-Alpha Modified Nikon D800a
Working with a focal length of 85mm was exciting and promising while the first test shoots revealed some extraordinary details of the galaxy’s dust lanes and nebulae. But if you work with such a sensitive and unprotected setup you never know how far you will get. With such a narrow lens you need many images to get a balanced good-looking Panorama - so there are many chances to mess up the whole project and go home empty-handed.
Cottonwood Pass, Colorado Milky Way
The objective for this image was to capture the curved leading lines of the road through Cottonwood Pass, bringing the viewer's eye up towards the mountains and the Milky Way overhead. The smoke from nearby forest fires covered the sky in a thick haze during the day, making it seem like the shot wouldn’t be possible. Luckily, the smoke settled into the valleys below the mountains as night fell, revealing a cloudless, starry sky. With the weather conditions looking perfect, we parked alongside the road and set up the tripod and star tracker. Every few minutes a car or two would come by and glide down into the growing darkness on the mountain pass.
Mermaid Reef: Sony a7sii + Stack, Blend, and Composite
This photo is taken in Arrecife de las Sirenas, Almería (Spain) with a simple 61 seconds exposure, at ISO 5000. At 4 am in the place of the shot you can't see anything, it's all black, now you understand why these settings are so overstated. The lens used was a 14mm wide-angle at F2.8 to be able to capture a large field of vision in wide-angle.